Cinematography: Emmanuel Lubezki; Editing: Douglas Crise & Stephen Mirrione
Production Design: Kevin Thompson; Set Decoration: George DeTitta Jr.
Costumes: Albert Wolsky; Score: Antonio Sánchez
Stars: Michael Keaton (Riggan Thomson), Emma Stone (Sam), Edward Norton (Mike Shiner), Naomi Watts (Lesley), Zach Galifianakis (Jake), Amy Ryan (Sylvia), Andrea Riseborough (Laura), Lindsay Duncan (Tabitha), Merritt Wever (Annie)
Given the advance word of mouth, award accolades and promising premise, with Michael Keaton as a has been superhero movie star trying to reestablish himself as a serious actor by staging a Broadway play, I was expecting to like Mexican director Alejandro González Iñárritu’s surreal satire far more than I was ultimately able to. Perhaps I set my sights too high, persuaded by critical consensus (“The only opinion that matters is the critic.”) which seems to have accepted the film’s artistic pretensions at face value. Given the movie’s brutal representation of their own breed, reviewers appear motivated by a desire to prove what good sports they are, but there is such a thing as being too tolerant.