Brooklyn

Brooklyn_1Sheet_Mech_7R1.inddFox Searchlight Pict. (2015) 111 min. PG-13

Director: John Crowley

Screenplay: Nick Hornby; based on novel by Colm Tóibín

Cinematography: Yves Bélanger; Editing: Jake Roberts; Production Design: François Séguin; Set Decoration: Suzanne Cloutier, Jenny Oman & Louise Tremblay; Costumes: Odile Dicks-Mireaux; Score: Michael Brook

Stars: Saoirse Ronan (Eilis Lacey), Emory Cohen (Tony Fiorello), Jim Broadbent (Father Flood), Julie Walters (Mrs. Kehoe), Fiona Glascott (Rose Lacey), Domhnall Gleeson (Jim Farrell), Jane Brennan (Mrs. Lacey), Eileen O’Higgins (Nancy), Eva Birthistle (Georgina), Brid Brennan (Mrs. Kelly), Jessica Paré (Miss Fortini), James DiGiacomo (Frankie)

Despite its title Brooklyn is not a Spike Lee joint but rather a twee little piece of loveliness adapted from Colm Tóibín’s 2009 novel of the same name about a wistful Irish immigrant from Enniscorthy, Eilis Lacey (Saoirse Ronan), who feels bereft of home and loved ones in 1952 New York until meeting and marrying Tony (Emory Cohen), an Italian-American. Returning home for a time following her sister Rose’s (Fiona Glascott) passing, Eilis’ faded love for all she’s been missing in her homeland is reawakened, threatening to severe the ties she’s established for a new life in America.

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The Place Beyond the Pines

The Place Beyond The Pines posterFocus Features (2013) 140 min. R

Director: Derek Cianfrance

Screenplay: Derek Cianfrance, Ben Coccio & Darius Marder

Cinematography: Sean Bobbitt

Editing: Jim Helton & Ron Patane

Production Design: Inbal Weinberg; Set Decoration: Jasmine E. Ballou

Costumes: Erin Benach; Score: Mike Patton

Stars: Ryan Gosling (Luke Glanton), Bradley Cooper (Avery Cross), Eva Mendes (Romina), Dane DeHaan (Jason), Emory Cohen (A.J.), Ben Mendelsohn (Robin), Ray Liotta (Deluca), Rose Byrne (Jennifer), Mahershala Ali (Kofi), Bruce Greenwood (Bill Killcullen), Harris Yulin (Al Cross)

Director Derek Cianfrance’s expansive examination of the father-son conflict as it plays out across two generations in the intersecting lives of a cop and a robber, sounds promising but turns out to be more ambitious than illuminating. Handsomely photographed by Sean Bobbitt, there are clear elements of classic Greek tragedy in this simple, modern dress drama strongly tempered by the hand of fate and pre-destiny. Which may explain why the unusual three-act structure that’s been applied by Cianfrance, along with co-screenwriters Ben Coccio and Darius Marder, seems to more legitimately belong to the theater than the screen. Continue reading