The Visit

the-visit-movie-poster Universal (2015) 94 min. PG-13

Director: M. Night Shyamalan

Screenplay: M. Night Shyamalan

Cinematography: Maryse Alberti; Editing: Luke Franco Ciarrocchi

Production Design: Naaman Marshall; Set Decoration: Christine Wick

Costumes: Amy Westcott; Score: Paul Cantelon

Stars: Olivia DeJonge (Rebecca Jamison), Ed Oxenbould (Tyler Jamison), Kathryn Hahn (Paula Jamison), Deanna Dunagan (Nana), Peter McRobbie (Pop Pop), Benjamin Kanes (Robert Mendelsohn), Celia Keenan-Bolger (Stacey)

When director M. Night Shyamalan’s The Sixth Sense was originally released, way back when, playing concurrent with The Blair Witch Project, the two movies went head to head in a standoff to determine which path horror would head down in the new millennium. The Sixth Sense was professionally put together and stylistically innovative, with a pull the rug out from under you sensibility that toyed with its own narrative form and the concept of visual storytelling itself. The Blair Witch Project on the other hand swung to the opposite extreme with its amateurish, low-budget, hardscrabble approach paring both horror and cinema down to their bare essentials in order to play on viewers’ most primal fears of the unseen and the unknown.

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The Woman in Black

Momentum Pict./CBS Films (2012) 95 min. PG-13

Director: James Watkins

Screenplay: Jane Goldman; based on The Woman in Black by Susan Hill 

Cinematography: Tim Maurice-Jones; Editing: Jon Harris

Production Design: Kave Quinn; Set Decoration: Niamh Coulter

Costumes: Keith Madden

Score: Marco Beltrami

Stars: Daniel Radcliffe (Arthur Kipps), Ciarán Hinds (Sam Daily), Janet McTeer (Mrs. Daily), Liz White (Jennet), Sophie Stuckey (Stella Kipps), Misha Handley (Joseph Kipps), Jessica Raine (Nanny)

Standard-issue spook fare that never amounts to much but is still promisingly atmospheric in spots, distinguished by its unusual, turn of the century setting. Many horror movies are set in old dark houses, few on the other hand are set in the old, dark superstitious past itself which is odd since, for all our Amityville Horrors, I imagine most people still tend to psychologically associate ghosts and haunted houses with the Victorian past. The primary distinction of The Woman in Black lies in its being placed in that transitory time-frame when the horse and buggy era was making way for the mechanized age of the automobile. Continue reading