IT

New Line Cinema (2017) 135 min. R

Director: Andrés Muschietti

Screenplay: Gary Dauberman, Cary Fukunaga & Chase Palmer; Based on the novel by Stephen King

Cinematography: Chung-hoon Chung; Editing: Jason Ballantine; Production Design: Claude Paré; Set Decoration: Rosalie Board; Costumes: Janie Bryant; Score: Benjamin Wallfisch

Stars: Jaeden Lieberher (Bill Denbrough), Jeremy Ray Taylor (Ben Hanscom), Sophia Lillia (Beverly Marsh), Finn Wolfhard (Richie Tozier), Jack Dylan Grazer (Eddie Kaspbrak), Wyatt Oleff (Stanley Uris), Chosen Jacobs (Mike Hanlon), Bill Skarsgård (Pennywise), Nicholas Hamilton (Henry Bowers), Jackson Robert Scott (Georgie Denbrough)

Consisting largely of extended flashbacks to the Eisenhower era, Stephen King’s novel IT was such a colorfully jumbled calliope of atomic age sci-fi (It! The Terror from Beyond Space, It Came from Outer Space, It Came from Beneath the Sea, It Conquered the World), and ‘50s creature features (like Them!, Tarantula, The Creature from the Black Lagoon), there’s poetic justice in the author’s hair-raising tale having wormed its way back into the sort of summer movie popcorn fare that originally inspired it, courtesy of director Andrés Muschietti’s big screen adaptation. 

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Mama

mama-poster01Universal (2013) 100 min. PG-13

Director: Andrés Muschietti

Screenplay: Neil Cross, Andrés Muschietti & Barbara Muschietti; based on short film Mamá (2008)

Cinematography: Antonio Riestra; Editing: Michele Conroy 

Production Design: Anastasia Masaro 

Costumes: Mark Bridges

Score: Fernando Velázquez

Stars: Jessica Chastain (Annabel), Nikolaj Coster-Waldau (Lucas/Jeffrey), Megan Charpentier (Victoria), Isabelle Nélisse (Lilly), Daniel Kash (Dr. Dreyfuss), Jane Moffat  (Jean Podolski/Mama [Voice]), Javier Botet (Mama)

Jessica Chastain has proven herself a character acting chameleon over the last few years and her ubiquitous presence gives Andrés Muschietti’s feature-length adaptation of his 2008 Spanish-language short Mamá an aura of class that really isn’t warranted. You never know what hair dye the actress is going to be colored from one role to the next, and after her failed previous nomination, Chastain has gotten the Oscar formula down pat. On competing screens in the tony, high-concept, CIA thriller Zero Dark Thirty, for which she’s nominated for the Academy Award, she’s opened wide for more democratic appeal in the audience pleasing shriek fest Mama, about two feral girls whose adoptive parents discover they’ve brought something equally untamed back out of the wilds with them. Continue reading