Screenplay: Guillermo del Toro & Vanessa Taylor; Cinematography: Dan Laustsen; Editing: Sidney Wolinsky; Production Design: Paul D. Austerberry; Set Decoration: Jeffrey A. Melvin & Shane Vineau; Costumes: Luis Sequeira; Score: Alexandre Desplat
Stars: Sally Hawkins (Elisa Esposito), Michael Shannon (Richard Strickland), Richard Jenkins (Giles), Octavia Spencer (Zelda),Michael Stuhlbarg (Dr. Robert Hoffstetler),Doug Jones (Amphibian Man), David Hewlett (Fleming), Nick Searcy (General Hoyt), Stewart Arnott (Bernard), Nigel Bennett (Mihalkov), Lauren Lee Smith (Elaine Strickland), Martin Roach (Brewster), John Kapelos (Mr. Arzoumanian), Morgan Kelly (Pie Guy), Marvin Kaye (Burly Russian), Brandon McKnight (Duane)
The Shape of Water is indispensable in furthering understanding of director Guillermo del Toro‘s sprawling, shared multiverse of fantasy films. It’s a fulfillment of his artistic aspirations, clarification of the obsessive themes and surreal subject matter dispersed throughout his cinematic diaspora. Moreover, the movie is a genuinely sincere and loving homage to the sort of flicks the director himself adored as a kid and which wielded the strongest impact on him as an artist, inspiring him to eventually immigrate to America’s moviemaking mecca.
Cinematography: Dan Laustsen; Editing: Bernat Vilaplana
Production Design: Thomas E. Sanders; Set Decoration: Jeffrey A. Melvin & Shane Vieau; Costumes: Kate Hawley; Score: Fernando Velázquez
Stars: Mia Wasikowska (Edith Cushing), Tom Hiddleston (Sir Thomas Sharpe), Jessica Chastain (Lady Lucille Sharpe), Charlie Hunnam (Dr. Alan McMichael), Jim Beaver (Carter Cushing), Burn Gorman (Mr. Holly), Javier Botet (Ghosts of Pamela, Enola & Margaret), Doug Jones (Ghosts of Edith’s Mother, The Dowager Lady Sharpe)
Well-cast, sumptuous reimagining of the classic ghost story, Crimson Peak is classy entertainment, so we can forgive it the many delirious, unapologetic excesses into Gothic melodrama. There’s something decidedly refreshing about a film that accepts itself for what it is, as this one does, rather than striving to convince us it’s anything grander than that. Embracing the conventions of the genre wholeheartedly, the director Guillermo del Toro revels in his own richly absurd, deliciously overripe camp scares. He has no qualms about crafting a movie that’s a throwback to the most Victorian of haunted house humbugs.
Screenplay: Neil Cross, Andrés Muschietti & Barbara Muschietti; based on short film Mamá(2008)
Cinematography: Antonio Riestra; Editing: Michele Conroy
Production Design: Anastasia Masaro
Costumes: Mark Bridges
Score: Fernando Velázquez
Stars: Jessica Chastain (Annabel), Nikolaj Coster-Waldau (Lucas/Jeffrey), Megan Charpentier (Victoria), Isabelle Nélisse (Lilly), Daniel Kash (Dr. Dreyfuss), Jane Moffat (Jean Podolski/Mama [Voice]), Javier Botet (Mama)
Jessica Chastain has proven herself a character acting chameleon over the last few years and her ubiquitous presence gives Andrés Muschietti’s feature-length adaptation of his 2008 Spanish-language short Mamá an aura of class that really isn’t warranted. You never know what hair dye the actress is going to be colored from one role to the next, and after her failed previous nomination, Chastain has gotten the Oscar formula down pat. On competing screens in the tony, high-concept, CIA thriller Zero Dark Thirty, for which she’s nominated for the Academy Award, she’s opened wide for more democratic appeal in the audience pleasing shriek fest Mama, about two feral girls whose adoptive parents discover they’ve brought something equally untamed back out of the wilds with them. Continue reading →