Screenplay: Charles Leavitt; based on story by Rick Jaffa, Charles Leavitt & Amanda Silver & novel by Nathaniel Philbrick
Cinematography: Anthony Dod Mantle; Editing: Dan Hanley & Mike Hill
Production Design: Mark Tildesley; Set Decoration: Dominic Capon; Costumes: Julian Day; Score: Roque Baños
Stars: Chris Hemsworth (Owen Chase), Benjamin Walker (George Pollard), Cillian Murphy (Matthew Joy), Brendan Gleeson (old Thomas Nickerson), Ben Whishaw (Herman Melville), Tom Holland (young Thomas Nickerson), Frank Dillane (Owen Coffin), Michelle Fairley (Mrs. Nickerson)
The aged survivor of a maritime disaster, Thomas Nickerson (Brendan Gleeson) recounts his tale of woe to a young Herman Melville (Ben Whishaw). When a boy (Tom Holland) in 1819 Nantucket he signed aboard the whale ship Essex, under the inexperienced command of George Pollard Jr. (Benjamin Walker). Having been promised the post himself, resentful first mate Owen Chase (Chris Hemsworth) has little respect for his captain, and the two men clash constantly over discipline and protocol.
Cinematography: Declan Quinn; Editing: Wyatt Smith
Production Design: Stuart Wurtzel; Set Decoration: George DeTitta Jr.
Costumes: Ann Roth; Score: Mark Wolfson
Stars: Meryl Streep (Ricki Rendazzo), Kevin Kline (Pete), Mamie Gummer (Julie), Rick Springfield (Greg), Audra McDonald (Maureen), Sebastian Stan (Joshua), Nick Westrate (Adam), Ben Platt (Daniel), Charlotte Rae (Oma), Rick Rosas (Buster), Gabriel Ebert (Max), Joe Vitale (Joe)
Ricki and the Flash should have been so much better, perfectly encapsulating as it does many of the recurring themes that director Jonathan Demme and screenwriter Diablo Cody have consistently gravitated to over the years. Cody, whose been amusingly open about her freewheeling past as a stripper before reinventing herself as an upstart intellectual and Oscar-winning screenwriter, has always stood out as something of a scandal even amid the less than provincial Hollywood community, the way Clara Bow did in the Roaring Twenties and Marilyn Monroe in the conservative ’50s.