The Post

20th Ct. Fox/DreamWorks/Amblin (2017) 116 min. PG-13

Director: Steven Spielberg

Screenplay: Liz Hannah & Josh Singer; Cinematography: Janusz Kaminski; Editing: Sarah Broshar & Michael Kahn; Production Design: Rick Carter; Art Decoration: Kim Jennings & Deborah Jensen; Set Decoration: Rena DeAngelo; Costumes: Ann Roth; Score: John Williams

Stars: Meryl Streep (Katharine Graham), Tom Hanks (Ben Bradlee), Sarah Paulson (Tony Bradlee), Bob Odenkirk (Ben Bagdikian), Tracy Letts (Fritz Beebe), Bradley Whitford (Arthur Parsons), Bruce Greenwood (Robert McNamara), Matthew Rhys (Daniel Ellsberg), Carrie Coon (Meg Greenfield), Jesse Plemons (Roger Clark), Jessie Mueller (Judith Martin), Michael Stuhlbarg (Abe Rosenthal)

Some movies are so timely they seem to have their finger on the political pulse of the republic. Haskell Wexler’s Medium Cool was like that back in the ‘60s, The Conversation in the ‘70s, Wag the Dog in the ‘90s. But I’m surprised to be discussing Steven Spielberg, who has become one of the screen’s most reserved classicists of late, in the same breath with these other films. Irradiated by some Industrial Light & Magic effect, he seems to have hologrammed into the prescient screen prophet of our times, a clear-sighted Nostradamus, predicting Russiagate several years before the fact with his Bridge of SpiesThat movie may have seemed a tad musty at the time of release, a Cold War artifact, but little did we know.

Continue reading

Advertisements

Ricki and the Flash

Ricki and the Flash poster Sony/TriStar (2015) 101 min. PG-13

Director: Jonathan Demme

Screenplay: Diablo Cody

Cinematography: Declan Quinn; Editing: Wyatt Smith

Production Design: Stuart Wurtzel; Set Decoration: George DeTitta Jr.

Costumes: Ann Roth; Score: Mark Wolfson

Stars: Meryl Streep (Ricki Rendazzo), Kevin Kline (Pete), Mamie Gummer (Julie), Rick Springfield (Greg), Audra McDonald (Maureen), Sebastian Stan (Joshua), Nick Westrate (Adam), Ben Platt (Daniel), Charlotte Rae (Oma), Rick Rosas (Buster), Gabriel Ebert (Max), Joe Vitale (Joe)

Ricki and the Flash should have been so much better, perfectly encapsulating as it does many of the recurring themes that director Jonathan Demme and screenwriter Diablo Cody have consistently gravitated to over the years. Cody, whose been amusingly open about her freewheeling past as a stripper before reinventing herself as an upstart intellectual and Oscar-winning screenwriter, has always stood out as something of a scandal even amid the less than provincial Hollywood community, the way Clara Bow did in the Roaring Twenties and Marilyn Monroe in the conservative 50s.

Continue reading