Screenplay: Mark L. Smith & Alejandro G. Iñárritu; based in part on novel by Michael Punke
Cinematography: Emmanuel Lubezki; Editing: Stephen Mirrione
Production Design: Jack Fisk; Set Decoration: Caitlin Jane Parsons & Hamish Purdy; Costumes: Jacqueline West; Score: Ryuichi Sakamoto & Alva Noto
Stars: Leonardo DiCaprio (Hugh Glass), Tom Hardy (John Fitzgerald), Domhnall Gleeson (Cpt. Andrew Henry), Will Poullter (Jim Bridger), Duane Howard (Elk Dog), Forrest Goodluck (Hawk, Glass’ son), Arthur Redcloud (Hikuc), Melaw Nakehk’o (Powaqa), Kristoffer Joner (Murphy), Paul Anderson (Anderson), Lukas Haas (Jones)
rev·e·nant (noun) a person who has returned, especially supposedly from the dead. A revenant is a visible ghost or animated corpse that was believed to return from the grave to terrorize the living. The word “revenant” is derived from the Latin word, reveniens, “returning” (see also the related French verb “revenir”, meaning “to come back”).
Based on the novel by Michael Punke, director Alejandro González Iñárritu’s The Revenant is the (relatively) true story of Hugh Glass (Leonardo DiCaprio), a frontiersman in 19th ct. America who was mauled by a grizzly bear, and left for dead by companions John Fitzgerald (Tom Hardy) and Jim Bridger (Will Poullter) after they prematurely buried him alive.
Production Design: Richard Sherman; Set Decoration: Matthew Flood Ferguson
Costumes: Terry Anderson; Score: Danny Bensi & Saunder Jurriaans
Stars: Jason Bateman (Simon Callen), Rebecca Hall (Robyn Callen), Joel Edgerton (Gordon “Gordo” Mosley), Tim Griffin (Kevin Keeler), Allison Tolman (Lucy), Adam Lazarre-White (Ron), Beau Knapp (Detective Walker), Wendell Pierce (Detective Mills), P.J. Byrne (Danny McDonald), David Denman (Greg), Busy Philipps (Duffy)
For some reason, I kept getting The Gift mixed up with The Box, which also used the Pandora concept as a basis to explore the untapped potential for darkness in seemingly ordinary, unthreatening people. In an overheated summer full of typically hotheaded action blockbusters, this low-key, largely introspective psychological thriller is the real surprise gift to moviegoers and it’s not even close to Christmas yet. Despite being riddled with horror movie clichés and transparent script convolutions which allow audiences to anticipate most of what’s coming, this remains an intriguing, quality sleeper attractively wrapped for our predilection.